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Released:

  • Aug. 6, 1965 UK
  • Aug. 13, 1965 US
UK Help! UK album
US Help! US soundtrack


Rating: 4.217 (average of 23 ratings)


Genre: rock/pop


Quotable: Help! “Reflects the toll [of] the most popular band…but…The Beatles turn their pain into some of their finest work.” – Lori Latimer, Ink Blot Magazine


Album Tracks: UK

  1. Help! [2:21]
  2. The Night Before [2:36]
  3. You've Got to Hide Your Love Away [2:11]
  4. I Need You (Harrison) [ 2:31]
  5. Another Girl [2:08]
  6. You're Gonna Lose That Girl [2:20]
  7. Ticket to Ride [3:12]
  8. Act Naturally (Morrison/Russell) [2:33]
  9. It's Only Love [1:58]
  10. You Like Me Too Much (Harrison) [2:38]
  11. Tell Me What You See (Harrison/Lennon/McCartney) [2:39]
  12. I've Just Seen a Face [2:07]
  13. Yesterday [2:07]
  14. Dizzy Miss Lizzy (Williams) [2:54]
All songs written by Lennon/McCartney unless otherwise noted.

Album Tracks: US 1. Help! 2. The Night Before 3. From Me to You Fantasy (instrumental) 4. You’ve Got to Hide Your Love Away 5. I Need You 6. In the Tyrol (instrumental) 7. Another Girl 8. Another Hard Day’s Night (instrumental) 9. Ticket to Ride 10 .The Bitter End 11. You’re Gonna Lose That Girl 12. The Chase (instrumental)


Notes: The U.S. soundtrack version of Help! combines five pieces of music from Ken Thorne’s film score with 7 cuts from the UK Help! album. Tracks 8 and 13 became part of the June 20, 1966 U.S. release "Yesterday"…and Today, which also included four songs from the U.K. Rubber Soul album, three songs from the U.K. Revolver album, and the single "We Can Work It Out"/"Day Tripper." Tracks 9 and 12 ended up on the U.S. version of Rubber Soul. Tracks 10, 11, and 14 ended up on the U.S. album Beatles VI.

In 2006, the Capitol Records Vol. 2 box set gathered the U.S. albums The Early Beatles, Beatles VI, Help!, and Rubber Soul on CD for the first time.


Sales (in millions):

sales in U.S. only 3.0 US
sales in U.K. only - estimated 0.9 UK
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 10.0 UK + US


Peak:

peak on U.S. Billboard album chart 1 9 – US
peak on U.K. album chart 1 9 – UK


Singles/Hit Songs:

  • Ticket to Ride (4/9/65) #1 UK, #1 US
  • Help! (7/19/65) #1 UK, #1 US
  • Yesterday (9/13/65) #1 US, #8 UK
  • Act Naturally (9/13/65) #47 US

Check out the DMDB Beatles’ singles page for a complete singles discography.


Awards:

Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more.


Help!
The Beatles
Review:
“Like almost everything that the Beatles did from this record on, [this album is] not merely good, but groundbreaking.” JA “The harmonies [are] stellar [and] the individual vocal performances are…solid.” MU However, despite “those fantastic melodies and ringing guitars that keep up the light-hearted pop facade, [the album also] reflects the toll that being the most popular band in the world was taking on The Beatles. But in the fashion of all the great ones, The Beatles turn their pain into some of their finest work.” LL

The album kicks off with the instantly classic title track, “where the brash arrangement disguises Lennon's desperation” STE in “one of his most earnest and painful pleas for emotional salvation.” LL “It’s Lennon’s desperate state of mind that drives this album.” LL It’s also strange that ”John Lennon's confessional song became the title for a silly James Bond spoof…The funny thing is, it works both ways--as a young man's personal statement about learning to open up to others, and as the frantic theme for an exotic espionage chase comedy starring those lovable mop-tops.” JE

”Driven by an indelible 12-string guitar, Ticket to Ride is another masterpiece” STE from Lennon; indeed, it is “the best pop song The Beatles had written at this stage.” AD “Instrumentally, [the] off-beat rhythm was Ringo's masterpiece.” CDU “The dragging beat…adds perfectly to the lyrics’ tortured confusion.” LL

”The jaunty The Night Before and Another Girl,” STE the latter of which features “a great guitar solo by Paul,” DBW are “two very fine tunes that simply update his melodic signature.” STE They might both be “unremarkable without…George’s killer guitar work.” LL

”George is writing again” STE and “starting to contribute quality compositions [like] I Need You.” DBW “It's a very simple song, but…sounds nice.” AD George’s other song, “You Like Me Too Much, re-introduces piano into a Beatles album and works as a very nice unassumingly enjoyable track.” AD Even if George’s “two contributions don't touch Lennon and McCartney's originals, they hold their own against much of their British pop peers.” STE

“Like the previous album's ‘Im a Loser,’ You've Got to Hide Your Love Away was Lennon's nod to the influence of Bob Dylan.” CDU The simultaneously ”plaintive” STE and “charmingly ramshackle” AD song was “supposedly written about Beatle manager Brian Epstein’s homosexuality. It is an acoustic number so tender, it hurts just to think about it.” LL

“John is absolutely vicious in his delivery of You're Going to Lose That Girl,” MU “the kind of song McCartney effortlessly tosses off.” STE It demonstrates that “John's lyrics are advancing rapidly.” JA “if not quite a classic [it] is at least hugely charming and enjoyable, with some fine Beatles harmonies and playful vocals all round.” AD “You’re Going to Lose That Girl”

”The Bakersfield bounce” STE of ”the superfluous country number Act NaturallyJA “adds new flavor [and is] an ideal showcase for Ringo's amiable vocals.” STE

Among the six songs Lennon contributed are ”a pair of minor numbers,” STE but even these have moments. “It's Only Love has some haunting guitar sounds and a beautiful John vocal” AD while “even a…filler tune like Tell Me What You See is totally redeemed by the incredible harmony on the refrain line.” MU

“McCartney's gift for melody was obvious in I've Just Seen a Face,” CDU “a frighteningly modern-sounding semi-acoustic number,” JA which is “an irresistible folk-rock gem.” STE

Paul’s “widely imitated and covered” JA Yesterday is “a simple, beautiful ballad whose arrangement” STE is ”a startling, wildly successful experiment dispensing with the normal four-piece rock band backing track in favor of a string quartet.” JA The composition “was the start of a stellar series of McCartney ballads with strings (‘Eleanor Rigby,’ ‘She's Leaving Home’)” CDU and also “suggested much more sophisticated and adventurous musical territory, which the group immediately began exploring with Rubber Soul.” STE

”The rocking…Dizzy Miss Lizzie,” JA “seemingly included for the hell of it,” AD is “one of their best covers.” DBW It is a full-fledged “vocal scorcher” AD that “gives John an opportunity to flex his rock & roll muscle.” STE It “sounds like John’s raucous answer to Paul's ‘Kansas City/Hey, Hey, Hey, Hey’ vocal on Beatles for Sale.” JE In closing out the album, this song also closed the book on another of the group’s chapters; “Help! was the last Beatles album to feature a cover version.” CDU

“Of course, it's essential – as are…all the Beatles' albums.” JE “Every Beatles album could be a greatest hits record. They all have songs that you absolutely need. Help! is no exception.” LL


Review Source(s):


Related DMDB Links:

Previous Album: Beatles for Sale (1964) The Beatles’ DMDB page Next Album: Rubber Soul (1965)


Last updated March 3, 2010.