“The Clash sounded like they could do anything on London Calling. For its triple-album follow-up, Sandinista!, they tried to do everything, adding dub, rap, gospel, and even children’s choruses to the punk, reggae, R&B, and roots rock they already were playing. Instead of presenting a band with a far-reaching vision, like London Calling did, Sandinista! plays as a messy, confused jumble, which means that its numerous virtues are easy to ignore” (Erlewine).
“Amid all the dub experiments, backward tracks, unfinished songs, and instrumentals, there are a number of classic Clash songs that rank among the band’s best, including Police on My Back, The Call Up, Somebody Got Murdered, Charlie Don’t Surf, Hitsville U.K., and Lightning Strikes (Not Once but Twice), yet it's difficult for anyone but the most dedicated listeners to find them” (Erlewine).
“A few of the failed ideas were worth exploring, but even more – like the children’s choir version of Career Opportunities or the Terry Doggs song Lose This Skin – weren’t even worth pursuing” (Erlewine).
“As the cliché says, there’s a great single album within these three records, and those songs make Sandinista! worthwhile. Nevertheless, its sloppy attack is disheartening after the tour de force of London Calling and the focused aggression of The Clash” (Erlewine).