In Between Days (Without You) (7/22/85) #99 US, #15 UK
Close to Me (9/21/85) #97 US, #13 UK
In 2006, a deluxe edition added a second disc of 18 odds and ends, from home demo instrumentals, live bootleg recordings, and studio demos of unreleased songs.
The Head on the Door
“After recording one of their darkest albums, 1983’s The Top, the Cure regrouped and shuffled their lineup in 1984 and ended up changing their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the ‘80s, ‘The Lovecats’, The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of Inbetween Days and Close to Me helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV” (Sendra).
“The rest of the record didn’t suffer for hooks and inventive arrangements either, making even the gloomiest songs like Screw and Kyoto Song sound radio-ready, and the inventive arrangements (the flamenco guitars and castanets of The Blood, the lengthy and majestic intro to Push, the swirling vocals on The Baby Screams) give the album a musical depth previous efforts lacked. All without sacrificing an ounce of the emotion of the past, which songs as quietly desperate as A Night Like This and Sinking illustrate” (Sendra).
“With The Head on the Door, Robert Smith figured out how to make gloom and doom danceable and popular to both alternative and mainstream rock audiences. It was a feat the band managed to pull off for many years afterward, but never as concisely or as impressively as they did here” (Sendra).