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Charted: June 24, 1972

Rating: 3.699 (average of 19 ratings)

Genre: California country-rock

Quotable: --

Album Tracks:

  1. Take It Easy
  2. Witchy Woman
  3. Chug All Night
  4. Most of Us Are Sad
  5. Nightingale
  6. Train Leaves Here This Morning
  7. Take the Devil
  8. Early Bird
  9. Peaceful, Easy Feeling
  10. Tryin’

Total Running Time: 36:43


sales in U.S. only 1.92 million
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 3 million


peak on U.S. Billboard album chart 22
peak on U.K. album chart --

Singles/Hit Songs:

  • Take It Easy (6/3/72) #12 US, #12 AC
  • Witchy Woman (9/9/72) #9 US
  • Peaceful, Easy Feeling (12/30/72) #22 US, #20 AC

“Balance is the key element of the Eagles’ self-titled debut album, a collection that contains elements of rock & roll, folk, and country, overlaid by vocal harmonies alternately suggestive of doo wop, the Beach Boys, and the Everly Brothers” (Ruhlmann).

“If the group kicks up its heels on rockers like Chug All Night, Nightingale, and Tryin’, it is equally convincing on ballads like Most of Us Are Sad and Train Leaves Here This Morning” (Ruhlmann).

“The album is also balanced among its members, who trade off on lead vocal chores and divide the songwriting such that Glenn Frey, Bernie Leadon, and Randy Meisner all get three writing or co-writing credits. Fourth member Don Henley, with only one co-writing credit and two lead vocals, falls a little behind, while Jackson Browne, Gene Clark, and Jack Tempchin also figure in the writing credits” (Ruhlmann).

“The album’s overall balance is worth keeping in mind because it produced three Top 40 hit singles…that do not reflect that balance. Take It Easy and Peaceful Easy Feeling are similar-sounding mid-tempo folk-rock tunes sung by Frey that express the same sort of laid-back philosophy, as indicated by the word ‘easy’ in both titles, while Witchy Woman, a Henley vocal and co-composition, initiates the band’s career-long examination of supernaturally evil females” (Ruhlmann).

“These are the songs one remembers from Eagles, and they look forward to the eventual dominance of the band by Frey and Henley. But the complete album from which they come belongs as much to Leadon’s country-steeped playing and singing and to Meisner’s melodic rock & roll feel, which, on the release date, made it seem a more varied and consistent effort than it did later, when the singles had become overly familiar” (Ruhlmann).

Review Source(s):

Related DMDB Links:

Eagles’ DMDB page Previous Album: Desperado (1973)

Last updated March 26, 2008.