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Released: May 26, 2002


Genre: rap


Quotable: “Essentially a holding pattern, but it’s a glorious one – one that proves Eminem is the gold standard in pop music in 2002.” – Stephen Thomas Erlewine, All Music Guide


Album Tracks:

  1. Curtains Up (skit)
  2. White America
  3. Business
  4. Cleanin’ Out My Closet
  5. Square Dance
  6. The Kiss (skit)
  7. Soldier
  8. Say Goodbye Hollywood
  9. Drips
  10. Without Me
  11. Paul Rosenberg (skit)
  12. Sing for the Moment
  13. Superman
  14. Hailie’s Song
  15. Steve Berman (skit)
  16. When the Music Stops
  17. Say What You Say
  18. ‘Till I Collapse
  19. My Dad’s Gone Crazy (with Hailie Jade)
  20. Curtains Close (skit)


Rating: 3.878 (average of 22 ratings)


Sales (in millions):

sales in U.S. only 9.66
sales in U.K. only - estimated 1.2
sales in all of Europe as determined by IFPI – click here to go to their site. 4.0
sales worldwide - estimated 22.5


Peak:

peak on U.S. Billboard album chart 1 6
peak on U.K. album chart 1 5


Singles/Hit Songs:

  • Without Me (5/11/02) #2 US, #1 UK, #13 RB, #15 MR. Gold single.
  • Business (7/13/02) #6 UK, #73a RB
  • Cleanin’ Out My Closet (8/3/02) #4 US, #4 UK, #11 RB
  • My Dad’s Gone Crazy (8/3/02) #61a RB
  • Superman (2/1/03) #15 US, #44 RB
  • Sing for the Moment (4/5/03) #14 US, #6 UK


Awards:

Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more. American Music Awards – Album of the Year, pop/rock. Click to go to awards page. One of the Top 100 All-Time World’s Best-Selling Albums The World’s Best Selling Album of the Year. Click to go to awards page. Billboard Magazine’s Album of the Year Brits Award for International Album of the Year. Click to go to awards page. Juno Award for International Album of the Year. Click to go to DMDB awards page. Rock and Roll Hall of Fame/NARM’s Definitive Albums


The Eminem Show
Eminem
Review:
“It’s all about the title. First time around, Eminem established his alter ego, Slim Shady – the character who deliberately shocked and offended millions, turning Eminem into a star. Second time at bat, he turned out The Marshall Mathers LP, delving deeper into his past while revealing complexity as an artist and a personality that helped bring him an even greater audience and much, much more controversy. Third time around, it’s The Eminem Show – a title that signals that Eminem’s public persona is front and center, for the very first time.” STE

“And it is, as he spends much of the album commenting on the media circus that dominated on his life ever since the release of Marshall Mathers. This, of course, encompasses many, many familiar subjects – his troubled childhood; his hatred of his parents; his turbulent relationship with his ex-wife, Kim (including the notorious incident when he assaulted a guy who allegedly kissed her – the event that led to their divorce); his love of his daughter, Hailie; and, of course, all the controversy he generated, notably the furor over his alleged homophobia and his scolding from Lynne Cheney, which leads to furious criticism about the hypocrisy of America and its government.” STE

“All this is married to a production very similar to that of its predecessor – spare, funky, fluid, and vibrant, punctuated with a couple of ballads along the way. So, that means The Eminem Show is essentially a holding pattern, but it’s a glorious one – one that proves Eminem is the gold standard in pop music in 2002, delivering stylish, catchy, dense, funny, political music that rarely panders (apart from a power ballad ‘Dream On’ rewrite on Sing for the Moment and maybe the sex rap Drips, that is).” STE

“Even if there is little new ground broken, the presentation is exceptional – Dre never sounds better as a producer than when Eminem pushes him forward (witness the stunning oddity Square Dance, a left-field classic with an ominous waltz beat) and, with three albums under his belt, Eminem has proven himself to be one of the all-time classic MCs, surprising as much with his delivery as with what he says.” STE

“Plus, the undercurrent of political anger – not just attacking Lynne Cheney, but raising questions about the Bush administration – gives depth to his typical topics, adding a new, spirited dimension to his shock tactics as notable as the deep sentimental streak he reveals on his odes to his daughter.” STE

“Perhaps the album runs a little too long at 20 songs and 80 minutes and would have flowed better if trimmed by 25 minutes, but that’s a typical complaint about modern hip-hop records. Fact is, it still delivers more great music than most of its peers in rock or rap, and is further proof that Eminem is an artist of considerable range and dimension.” STE


Review Source(s):


Related DMDB Link(s):

Previous Album: The Marshall Mathers LP (2000) Next Album: Encore (2004)


Last updated February 17, 2010.