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Recorded: 3/3/66 – 6/9/67

Released: July 1967


Rating: 4.720 (average of 5 ratings)


Genre: blues


Quotable: “one of the very greatest electric blues albums of all time” – Stephen Thomas Erlewine, All Music Guide


Album Tracks:

  1. Born Under a Bad Sign
  2. Crosscut Saw
  3. Kansas City
  4. Oh, Pretty Woman
  5. Down Don’t Bother Me
  6. The Hunter
  7. I Almost Lost My Mind
  8. Personal Manager
  9. Laundromat Blues
  10. As the Years Go Passing By
  11. The Very Thought of You


Sales:

sales in U.S. only ½ million
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated ½ million


Peak:

peak on U.S. Billboard album chart --
peak on U.K. album chart --


Singles/Hit Songs:

  • Laundromat Blues (6/26/66) #29 RB
  • Crosscut Saw (1/7/67) #34 RB
  • Born Under a Bad Sign (8/26/67) #49 RB


Notes: --


Awards:

Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more. Blues Hall of Fame album inductee


Born Under a Bad Sign
Albert King
Review:
“Albert King recorded a lot in the early ‘60s, including some classic sides, but they never quite hit the mark. They never gained a large audience, nor did they really capture the ferocity of his single-string leads. Then he signed with Stax in 1966 and recorded a number of sessions with the house band, Booker T. & the MG’s, and everything just clicked. The MG’s gave King supple Southern support, providing an excellent contrast to his tightly wound lead guitar, allowing to him to unleash a torrent of blistering guitar runs that were profoundly influential, not just in blues, but in rock & roll (witness Eric Clapton’s unabashed copping of King throughout Cream’s Disraeli Gears). Initially, these sessions were just released as singles, but they were soon compiled as King’s Stax debut, Born Under a Bad Sign. Certainly, the concentration of singles gives the album a consistency – these were songs devised to get attention – but, years later, it’s astounding how strong this catalog of songs is: Born Under a Bad Sign, Crosscut Saw, Oh Pretty Woman, The Hunter, Personal Manager, and Laundromat Blues form the very foundation of Albert King’s musical identity and legacy. Few blues albums are this on a cut-by-cut level; the songs are exceptional and the performances are rich, from King’s dynamic playing to the Southern funk of the MG’s. It was immediately influential at the time and, over the years, it has only grown in stature as one of the very greatest electric blues albums of all time” (Erlewine).


Review Source(s):


Last updated November 13, 2008.