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Released: October 1973

Rating: 4.506 (average of 15 ratings)

Genre: reggae

Quotable: --

Album Tracks:

  1. Get Up, Stand Up
  2. Hallelujah Time
  3. I Shot the Sheriff
  4. Burnin’ and Lootin’
  5. Put It On
  6. Small Axe
  7. Pass It On
  8. Duppy Conqueror
  9. One Foundation
  10. Rastaman Chant


sales in U.S. only ½ million
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 2 million


peak on U.S. Billboard album chart 151
peak on U.K. album chart --


  • Put It On (4/66) --
  • Duppy Conqueror (12/70) --
  • Small Axe (2/71) --
  • Get Up, Stand Up (9/73) --
  • I Shot the Sheriff (2/74) --

Notes: The 2001 reissue adds three bonus tracks – “Reincarnated Souls,” “No Sympathy,” and “The Oppressed Song” – all by “Tosh and Wailer, though recorded at the album's sessions” (Ruhlmann). The 2004 Deluxe Edition adds a second live disc recorded 11/23/73.


Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more.

The Wailers
Burnin', was the Wailers “second for Island Records, released only six months after its predecessor, Catch a Fire. Given that speed, it's not surprising that several tracks — Put It On, Small Axe, and Duppy Conqueror — are re-recordings of songs dating back a few years. But they fit in seamlessly with the newer material, matching its religious militancy and anthemic style. The confrontational nature of the group's message is apparent immediately in the opening track, Get Up, Stand Up, as stirring a song as any that emerged from the American Civil Rights movement a decade before. The Wailers are explicit in their call to violence, a complete reversal from their own 1960s ‘Simmer Down’ philosophy. Here, on Burnin’ and Lootin’, they take issue with fellow Jamaican Jimmy Cliff's song of the previous year, ‘Many Rivers to Cross,’ asking impatiently, ‘How many rivers do we have to cross/Before we can talk to the boss?’ I Shot the Sheriff, the album's most celebrated song, which became a number one hit in the hands of Eric Clapton in 1974, claims self-defense, admits consequences (‘If I am guilty I will pay’), and emphasizes the isolated nature of the killing (‘I didn't shoot no deputy’), but its central image is violent. Such songs illuminated the desperation of poor Jamaican life, but they also looked forward to religious salvation, their themes accentuated by the compelling rhythms and the alternating vocals of the three singers. Bob Marley was a first among equals, of course, and after this album his partners, Peter Tosh and Bunny Wailer, quit the group, which thereafter was renamed Bob Marley and the Wailers” (Ruhlmann).

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Related DMDB Links:

Previous Album: Catch a Fire (1973) Bob Marley’s DMDB page Next Album: Natty Dread (1974)

Last updated April 6, 2008.