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Released: October 25, 1974

Rating: 4.531 (average of 14 ratings)

Genre: reggae

Quotable: “the ultimate reggae recording of all time” – Jim Newsom, All Music Guide

Album Tracks:

  1. Lively Up Yourself
  2. No Woman, No Cry
  3. Them Belly Full But We Hungry
  4. Rebel Music (3 O’Clock Road Block)
  5. So Jah She
  6. Natty Dread
  7. Bend Down Low
  8. Talkin’ Blues
  9. Revolution


sales in U.S. only --
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 2.5 million


peak on U.S. Billboard album chart 92
peak on U.K. album chart 43


  • Bend Down Low (4/67) --
  • Lively Up Yourself (1971) --
  • Natty Dread (6/75) --
  • No Woman, No Cry (8/75) #8 UK

Notes: The 2001 Definitive Remasters edition also includes the track "Am-A-Do," which was recorded during the Natty Dread sessions but shelved until the 1991 compilation Talkin' Blues.


Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more.

Natty Dread
Bob Marley & The Wailers
Natty Dread is Bob Marley's finest album, the ultimate reggae recording of all time. This was Marley's first album without former bandmates Peter Tosh and Bunny Livingston, and the first released as Bob Marley & the Wailers. The Wailers' rhythm section of bassist Aston ‘Family Man’ Barrett and drummer Carlton ‘Carlie’ Barrett remained in place and even contributed to the songwriting, while Marley added a female vocal trio, the I-Threes (which included his wife Rita Marley), and additional instrumentation to flesh out the sound. The material presented here defines what reggae was originally all about, with political and social commentary mixed with religious paeans to Jah. The celebratory Lively Up Yourself falls in the same vein as ‘Get Up, Stand Up’ from Burnin’. No Woman, No Cry is one of the band's best-known ballads. Them Belly Full (But We Hungry) is a powerful warning that ‘a hungry mob is an angry mob.’ Rebel Music (3 O'Clock Road Block) and Revolution continue in that spirit, as Marley assumes the mantle of prophet abandoned by ’60s forebears like Bob Dylan. In addition to the lyrical strengths, the music itself is full of emotion and playfulness, with the players locked into a solid groove on each number. Considering that popular rock music was entering the somnambulant disco era as Natty Dread was released, the lyrical and musical potency is especially striking. Marley was taking on discrimination, greed, poverty, and hopelessness while simultaneously rallying the troops as no other musical performer was attempting to do in the mid-‘70s” (Newsom).

Review Source(s):

Related DMDB Links:

Previous Album: Burnin’ (1973) Bob Marley’s DMDB page Next Album: Live at the Lyceum (live: 1975)

Last updated April 6, 2008.