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Released: March 21, 1983


Rating: 3.609 (average of 18 ratings)


Genre: classic rock


Quotable: --


Album Tracks:

  1. The Post War Dream
  2. Your Possible Pasts
  3. One of the Few
  4. The Hero’s Return
  5. The Gunners Dream
  6. Paranoid Eyes
  7. Get Your Filthy Hands Off My Desert
  8. The Fletcher Memorial Home
  9. Southampton Dock
  10. The Final Cut
  11. Not Now John
  12. Two Suns in the Sunset


Sales:

sales in U.S. only 2 million
sales in U.K. only - estimated 100,000
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 7 million


Peak:

peak on U.S. Billboard album chart 6
peak on U.K. album chart 1 2


Singles/Hit Songs:

  • Not Now John (4/2/83) #30 UK, #7 AR
  • Your Possible Pasts (4/2/83) #8 AR
  • The Hero’s Return (4/30/83) #31 AR


Notes: The 2004 reissue “added When the Tigers Broke Free – originally heard in the soundtrack to The Wall, but its moody, war-obsessed soundscape is better suited for The Final Cut – as the fourth track, inserted between One of the Few and The Hero’s Return, where it fits nicely into the album’s narrative” (Erlewine).


The Final Cut
Pink Floyd
Review:
The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters’ pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention. This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect” (Erlewine).

“This means that while this has the texture of classic Pink Floyd, somewhere between the brooding sections of The Wall and the monolithic menace of Animals, there are no songs or hooks to make these radio favorites. The even bent of the arrangements, where the music is used as texture, not music, means that The Final Cut purposely alienates all but the dedicated listener. Several of those listeners maintain that this is among Pink Floyd’s finest efforts, and it certainly is an achievement of some kind – there’s not only no other Floyd album quite like it, it has no close comparisons to anybody else’s work (apart from Waters’ own The Pros and Cons of Hitch Hiking, yet that had a stronger musical core). That doesn’t make this easier to embrace, of course, and it’s damn near impenetrable in many respects, but with its anger, emphasis on lyrics, and sonic textures, it’s clear that it's the album that Waters intended it to be” (Erlewine).

“And it’s equally clear that Pink Floyd couldn’t have continued in this direction – Waters had no interest in a group setting anymore, as this record, which is hardly a Floyd album in many respects, illustrates. Distinctive, to be sure, but not easy to love and, depending on your view, not even that easy to admire” (Erlewine).


Review Source(s):


Related DMDB Link(s):

previous album: The Wall (1979) DMDB page next album: A Momentary Lapse of Reason (1987)


Last updated January 18, 2009.