“one of the best…gospel sessions of all time” – John Bush, All Music Guide
His Hand in Mine
I’m Gonna Walk Dem Golden Stairs
In My Father’s House
Milky White Way
Known Only to Him
I Believe in the Man in the Sky
Joshua Fit the Battle
He Knows Just What I Need
Swing Down Sweet Chariot
Mansion Over the Hilltop
If We Never Meet Again
Working on the Building
Milky White Way (3/66) --
Joshua Fit the Battle (3/66) –
You’ll Never Walk Alone * (4/20/68) #90 US, #44 UK, #73 CW
* bonus track from 2003 reissue
Notes: The 2003 reissue added “It Is No Secret,” “You’ll Never Walk Alone,” and “Who Am I.” In 2008, another reissue kept the original 12 songs along with “It Is No Secret” and added “There’ll Be Peace in the Valley for Me,” “I Believe,” and “Take My Hand, Precious Lord.” Those four songs comprised the 1957 EP Peace in the Valley and were on Elvis’ Christmas Album later that year.
In 1994, this album was packaged along with Elvis’ two other gospel albums and some bonus tracks on the double-disc Amazing Grace. In 2000, the three albums were repackaged again, along with bonus tracks, on the box set Peace in the Valley – The Complete Gospel Recordings.
His Hand in Mine
“From rock & roll firebrand to pop crooner to gospel believer, Elvis’ career went in many directions that his earliest critics could hardly have believed. Was it heresy or conversion or commercialism that had caused Elvis the Pelvis to record a gospel EP in 1957, and then a full LP in 1960, just months after he returned from his Army stint? The answer was, of course, none of the above. What the critics didn’t understand was that Elvis wasn’t just a cultural phenomenon but a cultural chameleon, a vocalist who took in a range of influences – from Big Mama Thornton to Dean Martin to the Statesmen – without ever considering the possibility of a contradiction. The same teenager who couldn’t stop listening to black R&B was also in attendance at each one of the monthly gospel singing meetings held in Memphis during the early ‘50s – and the teenage Presley was well-known to Jake Hess and the Statesmen for his exuberance and innumerable questions about the technical side of gospel quartet singing” (Bush).
“Several years after his first rock success, during a single late-night-and-early-morning session in October, 1960, Presley recorded the material for his first full gospel LP, His Hand in Mine. Combining the spiritual force and the physical release he’d experienced from the best gospel singing, Elvis revealed himself as an all-time-great gospel singer, someone who had energy to spare (hardly a surprise) but also immense reserves of control and precision (a rarer commodity among rock & roll singers). Most of the songs were standards from the Statesmen, Blackwood Brothers, and other classic quartets Elvis loved, and represents some of the best ballad singing of his career – after all, it was recorded at the peak of his balladic powers, a time when ‘It’s Now or Never’ and ‘Fame and Fortune’ had not yet given way to ‘Can’t Help Falling in Love.’ He’s fantastic serving as the lead voice in a group vocal – years of advice from the best had paid off – and he shows off his excellent high-tenor singing in a range of situations (tender on Known Only to Him, playful on I Believe in the Man in the Sky). His Hand in Mine isn’t just one of Elvis’ best LPs, it’s one of the best (and best-recorded) gospel sessions of all time” (Bush).