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Released: October 27, 1986


Rating: 4.655 (average of 13 ratings)


Genre: rock > new wave


Quotable: --


Album Tracks:

  1. Summer’s Cauldron [3:15]
  2. Grass (Moulding) [3:05]
  3. The Meeting Place (Moulding) [3:13]
  4. That’s Really Super, Supergirl [3:22]
  5. Ballet for a Rainy Day [2:50]
  6. 1000 Umbrellas [3:44]
  7. Season Cycle [3:21]
  8. Earn Enough for Us [2:54]
  9. Big Day (Moulding) [3:32]
  10. Another Satellite [4:16]
  11. Dear God [3:36]
  12. Dying (Moulding) [2:31]
  13. Sacrificial Bonfire (Moulding) [3:46]

Songs written by Andy Partridge unless noted otherwise.


Total Running Time: 46:50


Sales:

sales in U.S. only --
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated --


Peak:

peak on U.S. Billboard album chart 70
peak on U.K. album chart --


Singles/Hit Songs:

  • Grass (?) --
  • The Meeting Place (?) --
  • Dear God (4/4/87) #37 AR


Notes: The original version of Skylarking featured the song “Mermaid Smile,” later replaced by “Dear God,” which was originally the B-side of “Grass.” Some versions of the album feature the original track listing plus “Dear God” tacked on to the end of the album.


Awards:

One of my personal top 100 albums of all time. Click to learn more.


Skylarking
XTC
Review:
“Working with producer Todd Rundgren didn't necessarily bring XTC a sense of sonic cohesion — after all, every record since English Settlement followed its own interior logic — but it did help the group sharpen its focus, making Skylarking its tightest record since Drums and Wires. Ironically, Skylarking had little to do with new wave and everything to do with the lush, post-psychedelic pop of the Beatles and Beach Boys. Combining the charming pastoral feel of Mummer with the classicist English pop of The Big Express, XTC expand their signature sound by enhancing their intelligently melodic pop with graceful, lyrical arrangements and sweeping, detailed instrumentation. Rundgren may have devised the sequencing, helping the record feel like a song cycle even if it doesn't play like one, but what really impresses is the consistency and depth of Andy Partridge's and Colin Moulding's songs. Each song is a small gem, marrying sweet, catchy melodies to decidedly adult lyrical themes, from celebrations of love (Grass) and marriage (Big Day) to skepticism about maturation (Earn Enough for Us) and religion (Dear God). Moulding's songs complement Partridge's songs better than before, and each writer is at a melodic and lyrical peak, which Rundgren helps convey with his supple production. The result is a pop masterpiece – an album that has great ambitions and fulfills them with ease” (Erlewine).


Review Sources:


Last updated March 25, 2008.