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Released: Nov. 17, 1992


Rating: 3.417 (average of 6 ratings)


Genre: pop/R&B


Quotable: --


Album Tracks:

  1. I Will Always Love You (WHITNEY HOUSTON)
  2. I Have Nothing (WHITNEY HOUSTON)
  3. I’m Every Woman (WHITNEY HOUSTON)
  4. Run to You (WHITNEY HOUSTON)
  5. Queen of the Night (WHITNEY HOUSTON)
  6. Jesus Loves Me (WHITNEY HOUSTON)
  7. Even if My Heart Would Break (KENNY G/ AARON NEVILLE)
  8. Someday (I’m Coming Back) (LISA STANSFIELD)
  9. It’s Gonna Be a Lovely Day (S.O.U.L. S.Y.S.T.E.M.)
  10. What’s So Funny ‘Bout Peace, Love and Understanding (CURTIS STIGERS)
  11. Waiting for You (KENNY G) *
  12. Trust in Me (JOE COCKER/ SASS JORDAN)
  13. Theme from ‘The Bodyguard’ (ALAN SILVESTRI)
* not on U.S. album


Sales:

sales in U.S. only 17 million
sales in U.K. only - estimated 2.14 million
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 38.5 million


Peak:

peak on U.S. Billboard album chart 1 20
peak on U.K. album chart 1?


Singles/Hit Songs:

  • I Will Always Love You (11/14/92) #1 US, #1 UK, #1 RB, #1 AC. 4x platinum single.
  • I’m Every Woman (1/9/93) #2a US, #4 UK, #4a RB, #26 AC. Gold single.
  • I Have Nothing (2/20/93) #1a US, #3 UK, #3a RB, #1 AC. Gold single.
  • Run to You (6/19/93) #26a US, #15 UK, #31 RB, #9 AC
  • Queen of the Night (11/6/93) #36a US, #14 UK, #47a RB


Awards:

Rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more. American Music Awards – Album of the Year, pop/rock. Click to go to awards page. One of the Top 100 All-Time World’s Best-Selling Albums The World’s Best Selling Album of the Year. Click to go to awards page. Billboard Magazine’s Album of the Year Album of the Year Grammy winner. Click to go to awards page. Juno Award for International Album of the Year. Click to go to DMDB awards page.


The Bodyguard Soundtrack
Whitney Houston/ Various Artists
Review:
“Few observers expected that Whitney Houston’s first big-screen role in 1992’s The Bodyguard would generate a phenomenon. Not that the film itself was a phenomenon – it was a healthy success, due not only to Houston, but to her co-star Kevin Costner's drawing power – but the soundtrack’s success was astonishing. The Bodyguard followed Houston’s cover of Dolly Parton’s I Will Always Love You to the top of the charts, and once they got there, neither the single nor the album budged for weeks. ‘I Will Always Love You’ spent a record-shattering 14 weeks in the top slot, while The Bodyguard spent 20 weeks at number one, eventually selling over 15 million copies and winning the Grammy award for Album of the Year” (Erlewine).

“Like many phenomena of that magnitude, it’s hard to see, in retrospect, what triggered such a massive public response. True, The Bodyguard isn’t a typical soundtrack in that its first half plays like Houston’s sequel to I’m Your Baby Tonight, but its second half is filled with the flotsam and jetsam typical for a big-budget soundtrack – an excerpt from Alan Silverstri’s score, some flavorless but pleasant Kenny G instrumentals, dated pop and dance numbers, and a cover (Curtis Stigers’ take on (What's So Funny 'Bout) Peace, Love and Understanding, which is notable in some circles as the recording that made the song’s author, Nick Lowe, a millionaire)” (Erlewine).

“Then again, nobody really paid attention to anything outside of the first six songs, all of which rank among Houston's best efforts, demonstrating progress from the somewhat stilted I’m Your Baby Tonight. It’s not startling enough to justify the phenomenon, but I Have Nothing, Queen of the Night, Run to You, and especially her cover of I’m Every Woman are all first-rate urban pop songs that skillfully capture Houston at her best. In a sense, the album is no different than any other album Houston recorded” (Erlewine).

“It may seem odd that a soundtrack is Houston’s biggest-selling album to date, but consider this – even her best records had five or six great songs surrounded by well-constructed filler; the same is true here, only the filler is recorded by other artists” (Erlewine).


Review Source(s):


Last updated February 4, 2009.