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cover from original 1943 cast album

cover from 1955 soundtrack

Opened on Broadway: March 31, 1943

First recorded:
October 20, 1943 to
May 24, 1944 c

Released:
December 4, 1944 c,
August 1, 1955 s


Notations:
c Cast Album
s Soundtrack


Rating: 4.281 (combined average of 8 ratings for various cast albums and soundtrack)


Genre: show tunes


Quotable: “often called Broadway’s greatest ever” – Joel Whitburn, Pop Memories 1890-1954


Album Tracks: c

  1. Overture
  2. Oh, What a Beautiful Morning (ALFRED DRAKE)
  3. The Surrey with the Fringe on Top (ALFRED DRAKE)
  4. Kansas City (LEE DIXON/ MALE CHORUS)
  5. I Cain’t Say No (CELESTE HOLM)
  6. Many a New Day (JOAN ROBERTS)
  7. It’s a Scandal! It’s a Outrage! (JOSEPH BULOFF) *
  8. People Will Say We’re in Love (ALFRED DRAKE/ JOAN ROBERTS)
  9. Pore Jud Is Daid (ALFRED DRAKE/ HOWARD DaSILVIA)
  10. Lonely Room (ALFRED DRAKE) *
  11. Out of My Dreams (JOAN ROBERTS)
  12. The Farmer and the Cowman (BETTY GARDE/ RALPH RIGGS)
  13. All Er Nothin’ (LEE DIXON/ CELESTE HOLM)
  14. Oklahoma! (ALFRED DRAKE)
  15. Finale (ALFRED DRAKE/ JOAN ROBERTS) *
* Songs not on soundtrack version.


Album Tracks: s

  1. Overture
  2. Oh, What a Beautiful Morning (ALFRED DRAKE/ GORDON MacRAE)
  3. The Surrey with the Fringe on Top (ALFRED DRAKE/ GORDON MacRAE/ SHIRLEY JONES)
  4. Kansas City (LEE DIXON/ GENE NELSON/ CHARLOTTE GREENWOOD)
  5. I Cain’t Say No (CELESTE HOLM/ GLORIA GRAHAME)
  6. Many a New Day (JOAN ROBERTS/ SHIRLEY JONES/ GIRLS CHORUS)
  7. People Will Say We’re in Love (GORDON MacRAE/ SHIRLEY JONES)
  8. Pore Jud Is Daid (GORDON MacRAE/ ROD STEIGER)
  9. Out of My Dreams (SHIRLEY JONES)
  10. The Farmer and the Cowman (GORDON MacRAE/ CHARLOTTE GREENWOOD)
  11. All Er Nothin’ (GLORIA GRAHAME/ GENE NELSON)
  12. Oklahoma! (GORDON MacRAE/ CHARLOTTE GREENWOOD)


Sales (in millions):

sales in U.S. only 3.0 c, 2.0 s
sales in U.K. only - estimated --
sales in all of Europe as determined by IFPI – click here to go to their site. --
sales worldwide - estimated 5.0 c+s


Peak:

peak on U.S. Billboard album chart 4 c, 1 4 - s
peak on U.K. album chart 1 3 – s


Singles/Hit Songs: *

  • People Will Say We’re in Love
    Bing Crosby (1943) #2
    Frank Sinatra (1943) #3
    Hal Goodman (1943) #11
  • Oh, What a Beautiful Mornin’
    Frank Sinatra (1943) #12
    Bing Crosby (1944) #4
  • The Surrey with the Fringe on Top
    Alfred Drake (1944) #22
* As was common in the pre-rock era, multiple versions of a single song from a Broadway show would become hits. All chart positions are from the U.S. Billboard pop charts.


Awards:

Cast album rated one of the top 1000 albums of all time by Dave’s Music Database. Click to learn more. The World’s Best Selling Album of the Year (soundtrack). Click to go to awards page. Grammy Hall of Fame. Click to go to Grammy.com HOF page. In the National Recording Registry of the Library of Congress. Click to go to Website.


Oklahoma! (cast album/ soundtrack)
Richard Rodgers & Oscar Hammerstein II (writers)
Review c:
This “Rodgers & Hammerstein musical [is] often called Broadway’s greatest ever.” JW “The Broadway opening of Oklahoma! in 1943 is remembered as a landmark in American musical theater. The show was the first written by the team of composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II, though both were theater veterans. Rodgers & Hammerstein turned out an exuberant, tuneful score in which all the songs grew out of the characters and the situations, an unusual approach in musical theater, where songs often had little relationship to the action. The point was made right at the start, when the choral number that opened most musicals was eschewed in favor of an off-stage leading man coming on and singing Oh, What a Beautiful Mornin’.” RC

“It ran over five years, becoming the longest running musical in Broadway history up to its time. The score threw off several hits and standards, including ‘Oh, What a Beautiful Mornin’,’ The Surrey with the Fringe on Top, People Will Say We’re in Love, and the stirring title tune.” RC

Oklahoma! “also made history as the first album…to become a major chart hit, and the first significant original-cast album.” JW “Although there had been a tradition of recording music from stage works in their original form with the stage performers in Great Britain, such recordings were only occasional in the U.S., and the idea of putting together an album of several 78 rpm records containing a show’s major songs as performed on-stage was relatively new. On the day that Oklahoma! opened, the American record industry was closed down by a musicians strike but shortly after Decca Records settled with the union, company president Jack Kapp brought the Oklahoma! principals together in the recording studio and cut 12 of the show’s songs…The result…was a commercial smash that forever changed the record business and led to the domination of record sales by the cast and soundtrack albums for the next 20 years.” RC


Review s:
Rodgers and Hammerstein, “who controlled the rights to their record-breaking landmark musical Oklahoma!, took their time putting together a film version, with the movie not arriving until 12 and a half years after the show’s Broadway opening. The songwriters’ unusual power over the production assured that it would be more faithful than most Hollywood treatments. Only two songs, Lonely Room and It’s a Scandal! It’s a Outrage!, were excised from the stage show for the two-and-a-half-hour film, for which conductor Jay Blackton and Robert Russell Bennett's orchestrations were retained.” RS

“The casting responded more to musical values than to box office clout, with Gordon MacRae, best known for several cinematic pairings with Doris Day, taking the male lead role of Curly and 20-year-old Shirley Jones, a Rodgers and Hammerstein discovery, making her film debut as Laurey, the female lead. The two, along with Gloria Grahame in the showcase role of lusty Ado Annie, brought a vocal assurance to their singing that allowed them to be intimate and conversational, giving detail to an otherwise lavish (and possibly oversized) production.” RS

“These qualities come off especially well on the soundtrack album, as do Bennett’s arrangements, which really shine in the stereo separation denied them on the original Broadway cast album. The result is an outstanding rendering of the score that gives it a bigger, broader interpretation and has continued to sound impressive over the decades, which may be one reason why the album, which topped the charts upon release and sold more than two million copies, has remained in print continually since it first appeared.” RS


Review Source(s):
  • RC William Ruhlmann, All Music Guide (review of cast album)
  • RS William Ruhlmann, All Music Guide (review of soundtrack)
  • JW Joel Whitburn (1986). Pop Memories 1890-1954 (page 341). Record Research: Menomonee Falls, WI.


Clips from 1955 Movie:

Oh, What a Beautiful Morning

The Surrey with the Fringe on Top

People Will Say We’re in Love

Oklahoma!


Last updated June 28, 2010.