“Toni Childs followed up her critically acclaimed Union in 1991 with House of Hope. Once again, Childs wrote the bulk of the album with David Rickets (David and David) with whom she co-produced the album. Despite those facts, and despite the return of guitarist David Rhodes and drummer Rick Marotta, House of Hope fails to match the impressive standards of Childs’ debut” (Demalon). “It did not sell well in the US and she was dropped from the A&M label” (Wikipedia).
“Childs treads much of the same ground as on Union, both lyrically and musically, but too much of House of Hope feels incomplete. What the record lacks, however, is almost made up for on the tracks that do work beginning with the lead-off I’ve Got to Go Now, a tale of a woman leaving an abusive relationship. Childs dramatic vocals imbue the protagonist with willful, albeit fragile, resolve and a spirit that is moving” (Demalon). The song was a top 5 hit in Australia.
“Heaven’s Gate is a lovely ballad resembling a lullaby (which chronicles a widow’s longing to be reunited with her husband) over a graceful soundtrack of piano and acoustic guitar. And on The Dead Are Dancing, Los Lobos’ David Hidalgo adds guitar and accordion to the ode to the disappeared dissidents of Chile” (Demalon).
“The title track was featured on the Thelma and Louise soundtrack” (Wikipedia) and dealt with “world troubles” (Wikipedia). Elsewhere, the album covered “incest and sexual abuse in the harrowing Daddy’s Song, [and] addiction in Where’s the Light and Put This Fire Out” (Wikipedia).
“Of the album, Childs stated she believed that ‘when we have the courage to share our darkest parts and our purest nature with each other we are evolution in action. We are creating our own ‘House of Hope’” (Wikipedia).