Watching the Wheels (3/28/81) #10 US, #30 UK, #25 AR, #6 AC
* only on 2000 reissue
John Lennon/ Yoko Ono
ďThe most distinctive thing about Double Fantasy, the last album John Lennon released during his lifetime, is the very thing that keeps it from being a graceful return to form from the singer/ songwriter, returning to active duty after five years of self-imposed exile. As legend has it, Lennon spent those years in domestic bliss, being a husband, raising a baby, and, of course, baking bread. Double Fantasy was designed as a window into that bliss and, to that extent, he decided to make it a joint album with Yoko Ono, to illustrate how complete their union wasĒ (Erlewine).
ďFor her part, Ono decided to take a stab at pop and while these are relatively tuneful for her, they nevertheless disrupt the feel and flow of Lennonís material, which has a consistent tone and theme. Heís surprisingly sentimental, not just when heís expressing love for his wife (Dear Yoko, Woman) and child (Beautiful Boy [Darling Boy]), but when heís coming to terms with his quiet years (Watching the Wheels, Cleanup Time) and his return to creative life. These are really nice tunes, and whatís special about them is their niceness Ė itís a sweet acceptance of middle age, which, of course, makes his assassination all the sadderĒ (Erlewine).
ďFor that alone, Double Fantasy is noteworthy, yet itís hard not to think that itís a bit of a missed opportunity Ė primarily because its themes would be stronger without the Ono songs, but also because the production is just a little bit too slick and constrained, sounding very much of its time. Ultimately, these complaints fall by the wayside because Lennonís best songs here cement the last part of his legend, capturing him at peace and in love. According to some reports, that perception was a bit of a fantasy, but sometimes the fantasy means more than the reality, and thatís certainly the case hereĒ (Erlewine).